Nominated for a Juno Award in 2016 as well as the winner of the 2014 Lieutenant Governor’s Masterworks Award, RESPONSIO is Peter-Anthony Togni`s breathtakingly beautiful meditation on Guillaume de Machat’s medieval masterpiece the Messe de Nostre Dame. Featuring a bass clarinet (Jeff Reilly) that soars over the timeless sonorities of a world class vocal quartet, RESPONSIO is a deep reflection on over 1,000 years of spiritual music making.
This is a one night only event, a rare opportunity to experience this work with the original world class performers.
RESPONSIO was released internationally in September of 2015 on the Montreal based ATMA classique label. CDs will be available for purchase at the concert.
RESPONSIO will also be performed in April and May as follows:
Lots of wonderful things happening in this coming year, what follows are some of the highlights. Please get in touch at firstname.lastname@example.org for more info:
Jan 2016 9 I am conducting the Upstream Orchestra in performance at the 2016 Open Waters Festival in Halifax, NS. This will also feature a new composition of mine “The Engines of Time”. 10-17 Producing the sessions and post production with Symphony Nova Scotiaof their next CD project based on past and present orchestrations of a suite of Schubert’s songs.
May 2016 5 Performing RESPONSIO with members of Luminous voices in Calgary, Banff and Edmonton
Looking forward in 2016/17 to the performance and recording of Peter-Anthony Togni’s concerto for bass clarinet and orchestra with the Ottawa based 13 Strings ensemble conducted by Kevin Mallon and also to a solo performance at Wilfred Laurier University as part of their NUMUS concert series.
The long awaited release by the Halifax based trio Sanctuary is here. ESTUARY was released internationally on Friday, September 25th. The third CD from this truly unique trio of pipe organ, cello and bass clarinet reflects 17 years of refinement and development.
Ranging from the full, suspended sound of Peter-Anthony Togni’s “Nuer Prayer”, through the austere beauty of Jeff Reilly’s “Creatures of Infinite Grace” to the driving rhythms of Christoph Both’s “Sonora”, ESTUARY is a deep-listening dive into the musical minds of these three highly experienced musicians.
Recorded by Rod Sneddon, produced by Jeff Reilly and mastered by Britain’s renowned mastering engineer Simon Heyworth, ESTUARY presents a pristine sound with incredible depth and resonance.
For a free track download please go here. The trio will perform tracks from ESTUARY in 2 concerts, one in Halifax and the other in Wolfville, NS on October 6th and 7th:
Tuesday, October 6th at 7:30 pm
Fort Massey United Church
5303 Tobin St. Halifax, NS
Wednesday, October 7th at 7:30 pm
Wolfville Baptist Church
487 Main St. Wolfville, NS
Tickets are 15/10 at the door and also can be purchased on-line for a reduced rate here.
Here is a beautiful little promo video about Responsio, a new work for bass clarinet and vocal quartet by Peter-Anthony Togni. It’s based on the 14th century masterpiece the “Messe de Nostre Dame” by Guillaume de Machaut. This stunning piece will be released on the Montreal based label ATMA Classique on Sept. 11th, 2015 and toured nationally in April and May of 2016..
Blackwood is the new duo of Peter-Anthony Togni on both piano and pipe organ and Jeff Reilly, bass clarinet. Together these two musical soul-searchers have toured the world with the trio Sanctuary, released concertos for bass clarinet and choir on the German Label ECM Records, as well as creating string orchestra concertos and full length works for solo bass clarinet and vocal quartet. In Blackwood, the two of them explore the full range of their musical experience, from modality to modernism, in a sound that that is beautiful, mysterious and totally engaging. For more videos and info on Blackwood go here.
Congratulations to Peter for this incredible acknowledgement of what is truly an extensive and beautiful masterwork combining the ancient and the new. Responsio is a contemporary response to Guillaume de Machaut’s Messe de Nostre Dame and it features:
Over the past year I have had the chance to produce two videos with CBC Radio 2’s Tom Allen. Have a look at these two projects. The first is a look at the origins of the Star Trek theme, and its surprising origins in musical history:
The second, this one here, which is trending really well out there, shows us the history of the song of death…. yes, death has a theme song. Check it out:
We’ll be producing more of these in the months to come for CBC music. I’ll keep posting them here.
The Sound Symposium is one of Canada’s best kept secrets. Over a week of exploratory, innovative, experimental and truly audacious music performed by musicians with reputations ranging from the extremely local to the completely international. You can brush with fame and real discovery in the same concert, I love it. Steven Naylor and I had a great experience at this year’s symposium playing as a duo. One of the nicest things anyone has said about anything I have done was said by Michelle Bush in a blog review of this set, she said: “I am a bit at a loss for words with this one. It was just beautiful, perfect and such a great contrast to the slapstick nature of the improv musical (that proceeded us). These two know how to listen, to bring about the quiet moments, the slow, the smallest sounds, to make an audience listen to and get so wrapped up in these without even thinking about it.”
In May of 2013, the 21 piece Upstream Orchestra got on a bus in Halifax and headed straight to Victoriaville, Quebec to perform in the International Festival de Musique Actuel in Victoriaville, Quebec. It’s one of the most prominent international festivals devoted to improvised music. It was a pleasure, an honour, and a thrill to conduct this group. Here’s a section from Paul Cram’s piece The Magic Order.
Here’s a great review from the concert: “Another real treat was the set by Upstream Orchestra, 18 pieces from the Maritime Provinces of Eastern Canada – not a place one usually thinks of as a hot bed of avant-garde music. But this year was an improvising orchestra with real depth and very strong conduction by Jeff Reilly, they started off with a great run-through of Barry Guy’s Witch Gong Game* and followed it with two pieces by their musical director, Paul Cram. Big chunks of Mingus, George Russell, the ICP and much else assembled itself into a squawk-swept landscape of brilliant playing. They don’t seem to have any recordings available, but hopefully they will soon.” The Wire (UK)*
I will be performing a special duo concert with pianist Steven Naylor at the 2014 Sound Symposium in St John’s, Newfoundland. It runs July 4th to the 12th and I will be performing on the 8th.
The Sound Symposium is an astonishingly diverse music festival: where you can hear everything from the harbour symphony (a series of works for ship’s horns that uses the entire St John’s harbour as its stage) to music for kitchen appliances. The spirit of the festival is open, embracing and adventurous. I’m looking forward to this!
Since 1983, Sound Symposium has gathered some of the top innovative musicians and artists from across Newfoundland and Labrador, Canada and around the world. They congregate in St. John’s to soak up the environment, interact, explore, share and collaborate.